So I finally got my black and white film roll developed and digitalized, but before I show them, I’d like to tell you a story…
On Saturday, I first went to Inkley’s to have the developing done. I could only assume that they provided that service, but they said that they outsource black and white film, and the turnaround time is usually 2-3 weeks. “Uh, I don’t think so – there’s no way I’m waiting that long,” I thought to myself. The kind associate then referred me to Nichol’s (probably by reading my facial reaction), which is another local photo lab who does in-house developing. I was all for heading over there immediately. Unfortunately for me, however, they are only open weekdays from 8-5 (like, seriously?). And who else would happen to have a full-time job and works until 5, Monday through Friday? Me, of course! Seeing no chance at making it across the valley from my work place without sacrificing too many hours on-the-clock, I knew there was only one way that I would ever see the 36 images I had produced over the course of two years: develop them myself. After a few days of sporadic back-and-forth texts to prior photography instructor Kerry Jones, I had set up a time to make a visit to the photo lab in the Communications building at the U.
Thursday at 7:30 p.m. came all too soon, but I welcomed it with wide-open arms. I walked into the photo lab that I used to know so well (I was a photo lab tech there for more than a year). I saw the cheery old man getting things all set up just for me, and I couldn’t help but feel the familiar feelings of joy and anticipation associated with manual film development. (I feel extremely sorry for all you digital-junkies who have never stepped foot in a dark room – you’re missing out on A LOT)! After a brief bout of friendly conversation, Kerry left me to it.
I’m not going to deny that I had shoved my knowledge of the film development process into the back of my mind, since the last time I actually developed was probably about a year ago. It took me a little while to orient myself, but I eventually got started. With the handful of instruction sheets hanging on the walls, there was no way I could mess it up, right? Wrong. Just kidding – but I did find myself panicking when I thought that I had missed a step. (Silly me – there is no Stop Bath step in development. Duh)! Phew.
When my film was all done and dry, Kyle and I viewed the frames through a magnifying glass and tried to identify each scene. If I had more time, I would have gladly done some prints – but after spending almost two hours in the lab, I was ready to go. The next day, I went back to Inkley’s and had the negatives scanned onto a CD. Once I got it back, I discovered that this roll holds such a random assortment of images. Check out my favorites below:

Driver's cabin in the old 107.5 The End (Salt Lake City FM radio station) bus. Date unknown, but between 2010-2011.

My dog, Chloe - probably at a dog park or on a hiking trail somewhere in the Salt Lake valley. Date app. 2010-2011.

Inside my fridge. Date app. late 2011. (Yah, notice the time difference between this and the last picture, haha).

Top-view of Souk and Kyle as they prepare eggrolls for our New Year's Eve get-together. Taken December 31, 2011 (Ha! Finally know a date!)

Nice shallow depth-of-field shot of dried roses with bokeh of Christmas lights in the background. Taken January 2012.
I used Kodak T-Max 400 film in a Canon AE-1 and slightly post-processed these images in Photoshop (just levels and curves). I have some more rolls that I have yet to use but the one in my camera is already well over half done. I hope to go back to the lab this week to develop it! Stay tuned for more!
P.S. Happy Chinese New Year!!!



























